词汇 | diegetic |
释义 | diegetic adjective theatre and film specializeduk /ˌdaɪ.əˈdʒet.ɪk/ us /ˌdaɪ.əˈdʒet̬.ɪk/ Diegetic music in a film or TV programme is part of the action and can be heard by the characters, rather than being just for the people watching to hear: 剧情中的(音乐) All the music in the series is diegetic, coming from car radios, night club scenes, and so on.该系列的所有音乐都是剧情中音乐,来自汽车收音机、夜总会场景等等。 Opposite non-diegetic Theatre - general words audio described audio description break break a legidiom community theatre double bill dramatics hold kabuki musical Noh nondramatic premiere preview puppetry scenography slapstick theatricality thespian vaudeville Examples of diegeticdiegetic The music works to position us in terms of this diegetic containment. Thus even a solo performance is a type of montage, a combination of mimetic immediacy and diegetic distancing, a composite of dissected realities. Instead, it seems to have split into a number of 'diegetic' musics that emanate from performers within the fictional world of the drama. Given its diegetic context and its potentially maudlin terms, the vehemence of the chorus' expression struck us as noteworthy. That is to say, music is not so much source (diegetic), background (non-diegetic), nor just mutually implicated in the narrative meaning of a scene. The orchestral dimension, moreover, can assume the function of a frame, a necessary basis for the creation of the diegetic dimension. The diegetic screening of the film is indicated, at first, only indirectly. The music moves from diegetic to potentially non-diegetic spaces as he goes outside to catch a bus. In situations where there is an absence or paucity of diegetic sound, music has become the norm. Consequently, within an operatic context that we have defined as essentially diegetic, narrative or mediating, stage music supplies a moment of mimesis, of pure representation. A priori, the terms 'diegetic music' and 'non-diegetic music' situate film music as measured against the 'diegesis'. The very first sounds we hear in the act are of the diegetic, 'opera-house' music off-stage, within the extended imaginary space of the action beyond the proscenium. These examples are from corpora and from sources on the web. Any opinions in the examples do not represent the opinion of the Cambridge Dictionary editors or of Cambridge University Press or its licensors. |
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