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词汇 concerto
释义 concerto
noun[ C ]
uk /kənˈtʃɜː.təʊ/ us /kənˈtʃer.t̬oʊ/pluralconcertos or concertiuk /kənˈtʃɜː.ti/ us /kənˈtʃer.t̬i/
a long piece of music for one or more main solo instruments and an orchestra: 协奏曲
a violin/piano concerto小提琴/钢琴协奏曲
Mozart's concerto for flute and harp莫扎特的长笛和竖琴协奏曲
SMART Vocabulary: related words and phrases

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Foreign words & phrases used in English

concerto | American Dictionary


concerto
noun[ C ]
us/kənˈtʃer·t̬oʊ/pluralconcertos or concerti
music
a piece of music usually written for one instrument and an orchestra (= a large combined group of musicians):
a violin/piano concerto

Examples of concerto


concerto
However, components of that activity (playing a piano concerto) are specifically human, such as the musicality and artistic components.
Its companion is another concerto-like piece, but one which blurs some of the conventional distinctions between genres.
The concerto begins with a brief fusillade of demisemiquavers from the violins, underpinned by the bass drum and capped by flourishes from the soloists.
There are few charts of rotation or transposed inversion for these concertos.
In quantitative terms, the surviving works are heavily dominated by concertos and related genres (sinfonie, chamber concertos and sonatas).
The general assumption has been that each of them was designed as a substitute movement for a concerto.
He added at least one piano concerto and three solo piano sonatas to his portfolio, soon after a sonata for piano duet.
By the 1670s the repertories of modern church concertos had become localised and were often specific to a particular institution or choir.
The violin concertos are neither the best nor even 'among the best' of their period.
It is an attractive work, distinguished as probably the first real viola concerto in existence.
Although the double concerto is only ten years old, it has less of a range than the new piece.
When does a concerto for orchestra become a symphony?
A touchingly elegiac ending to the concerto harks back to its introduction.
The conflict in this concerto for orchestra is between 'time present' and 'time past'.
The clarinet is not cast as a concerto soloist pitted against the orchestra: rather it is part of the symphonic argument, avoiding empty display.
These examples are from corpora and from sources on the web. Any opinions in the examples do not represent the opinion of the Cambridge Dictionary editors or of Cambridge University Press or its licensors.
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