| 词汇 | upper-parts |
| 释义 | BETA upper partscollocation in Englishmeanings of upperThese words are often used together. Click on the links below to explore the meanings. upper noun[ C ] uk /ˈʌp.ər/ us /ˈʌp.ɚ/ the top part of a shoe that covers a person's foot and to which the heel and the sole ... See more at upper Examples of upper partsupper parts The upperparts of the meso- and metapleurae are black. In each case, the progress of flowering was monitored in the central portion of each inflorescence in the upperparts of stems. The topography was gently rolling, with thick peat extending in the lower parts and white sandy soils dominating in the upperparts. Populations on tobacco can be very large, with dense colonies forming particularly on upperparts of stems and young leaves. In some places the upperparts of the coarsening-upward sequence are eroded by the distributary channels as a result of progradation. The upperparts (150 m thick) of these deposits are composed of very thin to thin siltstone/mudstone beds, representing a basin plain environment. The lower parts are trough cross-bedded and the upperparts ripplecross-laminated or parallel-laminated. Such grounds are a regularly repeating sequence of bass notes whose harmonic implication suggests and determines the various possibilities for the choice of notes in the upperparts. Notice that for the sake of a simpler parameterization we have used two different ways of interpolation for the lower and upperparts. The upperparts of the ash beds generally are aphanitic and structureless, though locally they are interbedded with thin clay layers and exhibit ripple cross-stratification and planar lamination. Thin, fine-grained, clastic partings are present within some coal seams (especially in upperparts of the formation), but seam splitting and amalgamation are relatively uncommon. Upperparts of each cycle consist of thinner beds of cross-laminated sandstones, interlaminated sandstone/siltstone packages, carbonaceous siltstones, shales and thin coals. Importantly, however, the music lacks a regular bass until the refrain (where the bass moves in repeated four-bar units at a much slower speed than the upperparts). This latter layout is strongly reminiscent of the presentation of motets, whose tenors (having few if any words) can occupy a much smaller space than the fully texted upperparts. They then had to imagine upperparts, points of imitation, motivic echoes, the give-and-take of solo and tutti, strettos, canons - all the elements of their musical culture and craft. These examples are from corpora and from sources on the web. Any opinions in the examples do not represent the opinion of the Cambridge Dictionary editors or of Cambridge University Press or its licensors. |
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