词汇 | unreleased |
释义 | BETA Examples of unreleasedunreleased isn’t in the Cambridge Dictionary yet. You can help! They thus represent a repository for the unreleased mucopolysaccharide material. There is evidence to suggest that forms transcribed as simultaneous or sequentially ordered oral and laryngeal gestures may in fact represent unreleased plosive forms. In instances of place assimilation, a key property is that unreleased consonants take on the place features of a neighbouring onset but not the reverse. This suggests that unreleased coronals are not less salient than labials per se, but rather when followed by a consonant of a different place. The activity of other constraints yields the more general restriction of unreleased consonants to place-assimilated nasals. While the salience scale for released stops closely corresponded to cross-linguistic patterns of assimilation, the scale for unreleased stops did not. The authors therefore conclude that ' unreleased ' is an auditory concept, but that a burst is acoustically and articulatorily present. Recall that that scale was deduced mainly from the acoustics of unreleased stops. The source tapes that do sometimes command a price are commercially unreleased studio recordings. Ten unreleased tokens included three instances of /p/, six instances of /t/ and one instance of /k/. This gives us another scale of perceptual salience: released stops>unreleased stops. The study, however, does not investigate the perceptibility of unreleased stops. And a third factor contributing to the perception of final stops as voiceless is the fact that in many languages finals are unreleased. Fricatives are longer and involve friction instead of total closure, whereas stops are short and were often unreleased. Of the 650 stops found, 311 (47.8 %) were released and 339 (52.2 %) were unreleased. The results confirm the release salience hypothesis (released>unreleased) and, to a large extent, the universal salience hypothesis. We will therefore make a preliminary assumption (to be revised later) that the relative place perceptibility of released stops is similar to that for unreleased stops (4b). The offset was defined as the offset of the release of the final /d/, or, if the /d/ was unreleased, the cessation of the voicing in the vowel. |
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