Examples of strophic

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Typically, these are strophic songs with three, four, five or more stanzas repeated to the same accompaniment.
First, regularity of strophic constructions and tight rhyme schemes are especially cultivated by the troubadours to impose structure on an unruly vernacular language.
But the majority are homophonic strophic airs suitable for performance by a solo singer, with the remaining parts arranged for lute or another instrument.
The song-object now dissolves into symphonic extensions without the further threat of silence or the need for strophic markers.
The strophic effect is reinforced by the unvarying refrain at the end of each stanza.
The strophic text carefully distributes the content: each stanza contains a step in the narrative process; each has a distinct temporal reach and extent.
But here all formal expectations are confounded: is this a strophic form after all, or simply an expanded example of lyric form?
The aria opens as a strophic song with a regular phrase structure, which undergoes a striking process of verbal and musical dissolution.
The same formal principles are also applied to the songs, although, owing to their usually simpler strophic forms, they tend to present fewer difficulties.
In strophic song, it becomes difficult to identify a refrain without its text.
The versus tend towards strophic parallelism, but not as rigorously.
His character is in part determined by the conventional forms that he sings strophic aria, folk-like canzone:49 a double aria completes the conventional gamut.
The following spring, that same strophic ballad was one of the first 'vocals' from the show to be recorded and commercially released.
Although the track starts with a strophic structure, it turns out to have a more through-composed and continuously developing form.
In strophic dialogues, exchanges between the characters may occur by strophe, or their voices may alternate at shorter intervals within the stanza.
As we have seen, formulaic arie were invented or fashioned to individual texts on the spot, balancing strophic repetition with ornamentation or variation.
However, in this instance strophic form is the predominant component, as opposed to the more equally weighted elements in alternate form.
These pieces are very unusual in being at once supplied with musical notation, monophonic, non-strophic, and structured as textual grafts.
The refrain melody is repeated through the strophic lines before being reattached to a repeated refrain text.
The folksong explanation employs a far-fetched comparison of changing-background technique with the appearance of new variants at every repeat in a strophic folksong.

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