Examples of musicological

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The questions raised by medieval music reception reach to musicological fields outside medieval studies, but especially ethnomusicology and popular music studies.
What is important here is that both musicological and lyrical analyses of popular music are textual in approach.
I begin by referring to the broader musicological context of cross-media listening and provide a working definition of a visual musical work.
The impact of this foregrounding of the performer as a central focus of musicological study has, however, been somewhat patchy.
Musicological analysis is simultaneously the means, the goal and the motivation for getting to know this arborescent reality.
In this domain, musicological research is still exploratory.
The more tightly music-focused insights resulting from the techniques of musicological research contribute to this aim, but are not necessarily an endpoint in themselves.
At the opening and conclusion of the conference delegates could hear reports from a field of musicological enquiry little explored until now.
This suggests a form of comprehensive musicianship that includes performance and appreciation with a comparative musicological twist.
The first group contains rules of musical form and playing conventions, the rules most discussed in musicological literature dealing with genres.
Nor can musicological analysis easily adjudicate the work's disputed truth claims.
Readers from a musicological background may feel frustrated with the discursive focus of the text and the relative paucity of musical examples.
The growing interest within the musicological community for sound-based music supports this, in particular regarding the theoretical implications of sound manipulation.
The musicological study of artificial vocality, and more generally of electroacoustics, is still relatively primitive.
However, analysis of electroacoustic music is slowly starting to be accepted as a serious musicological endeavour.
This chapter offers a scientific view of the act of singing which works as a perfect complement for the dominantly musicological character of the volume.
There are many fine musicological studies that analyse the devices used to heighten the texts of characters - male and female - in early music drama.
Although most would fit within musicological journals, there is enough consistency of approach that something is gained by reading them alongside each other.

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