Examples of intervallic

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Some will argue that it is unlikely the music of other composers will feature the same type of clear symmetries and intervallic structure.
Here, the notes of the opening 1/5/1 gesture are presented as chords, helping to highlight the intervallic symmetry of the collection.
I purposely refused to confine the vocal part to intervallic, rhythmic and curvature space.
However, some use technical statements inappropriately, for example 'out of tune' was used of the intervallic range within the pitch contour.
Of course notes and intervallic relationships are often very important in electroacoustic music, though they may be covertly hidden in the fabric.
We must therefore differentiate the poles on a continuum between intervallic pitch and relative pitch.
Spataro is certainly right, however, in considering the intervallic contour of the subject separately from its solmisation.
An organic link between the two versions is clearly demonstrated by the preservation of the original intervallic structure.
Much electroacoustic music merges intervallic and relative pitch approaches.
Here begins the 'acoustic chorale', a sequence of six- or seven-pitch chords imbued with intervallic allusions to the acoustic overtone series.
The subdivision of spectral space into incremental steps that are deployed in intervallic combinations - a sub-category of spectral space.
Subsequent presentations of the mantra are 'increased' through intervallic manipulation, while an intervallic 'decrease' is achieved by the application of the ring modulator.
Her inner anxiety also accounts for the undemonstrative openings and the at times contorted intervallic content of her speech melodies.
Meanwhile, the intervallic breaking of the flow is the flow's condition of possibility and this, of course, is both good and bad.
Firstly one can move into intervallic and harmonic (tonal) spectra.
In intervallic pitch we can hear pitch-intervals, and therefore their relationship to cultural, tonal usage will become important.
For listeners the borderline between the intervallic and the relative is equally important.
Besides the obvious spatial resemblance, there is an intervallic correspondence between the two melodies as well.
Everything is in a state of flux: a stable harmonic field passes unnoticed into noise, and intervallic figuration can become a melodic pedal point.

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