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词汇 example_english_song
释义

Examples of song


These examples are from corpora and from sources on the web. Any opinions in the examples do not represent the opinion of the Cambridge Dictionary editors or of Cambridge University Press or its licensors.
He includes in this category: advertisements, songs, drama troops, comedy storytellers (rakugo), and comedy duos (manzai).
They sing the old songs, worn smooth as burnished coins.
The drums are the most frequently mentioned instrument in jazz songs, and this emphasises the centrality of 'noise' in descriptions of jazz.
A deluge of implications is produced when mass-marketed songs and girls' games borrow (often word-for-word) from each other.
All the songs are gathered into a songbook that is updated from time to time.
Writers look at festivals, songs, language use, drama and body arts, all of which reflect, comment on or represent warfare in imaginative ways.
The children touched the guitar and interacted with the music therapist in the familiar songs they wanted to hear.
When all this failed, these soldiers retaliated through satirical songs.
Usually three main genres are distinguished: the so-called cantigas d'amor ("love songs"), cantigas d'amigo ("malefriend songs"), and cantigas d'escárnio e maldizer ("mocking and slanderous songs").
However, most love songs question the idea of male independence.
In it, twelve dancers, dressed as twelve princes, danced in imitation of the deities, accompanied by songs in their praise.
Lighting was used with precision to create carefully timed dramatic moments in particular songs.
We learn from both these songs how the two female artists have colluded with modern technology in production techniques to forge new cyber-identities for themselves.
Typically, these are strophic songs with three, four, five or more stanzas repeated to the same accompaniment.
She was musically literate and took down a number of songs from her grandmother and others.
Gibbons, in particular, produce complex songs from smaller vocal units.
Many enigmatic songs, unfathomable today, are the resonance of voices of bygone times.
Even on the face of it, however, the assassins don't sing ' our songs'; they sing theirs.
We have started with clubs including a personal computer club, children's songs club and a picture mail club.
There is a basic continuity in gender structure between the two songs, in the way two male voices address simultaneously each other and a woman.
Her repertoire embraces party, soca, chutney soca, pan (steelband), feminist and patriotic songs.
One's relationship to the songs could be used both as a strategy of affirmation and one of resistance to the prevailing message of the genre.
Counting for more than sixty songs, it never loses its fascination.
Operatic characters do indeed sing all the time, but what they sing are not always songs.
You are entitled to adopt your own position to the song's theme.
The tenor of these wedding songs could be either grave and moralizing or mischievous, even lewd.
Propelled by initial commercial success from this private domain, songs were rapidly "cleaned up" in order to achieve approval for public broadcast and performance.
Feeling is an "inchoate quality" (155) of country songs, involving both verbal cleverness and a sense of embodied movement.
The story told in the song's text suggested she turn her head between two microphones every few words.
As the politician himself described the incident to me, 174 women surrounded his house and sang threatening songs to him.
While it was being cooked and giving off delicious odors, the men talked and told stories and sang songs.
Many folk songs ostensibly uphold family values, but implicit in them also are the pleasures of illicit liaisons between devar and bhabhi.
Almost at the end of the song's first strophe, we cut to the scene outside the listening room.
Their efforts are most apparent in songs and picturisations which attempt to both exploit and transcend the limits of convention.
In the three songs that are analysed below, the core narrative and musical elements are variously but tightly interwoven with the elements of my title.
In other songs, shared multiple codes allow for different and perhaps more subtle forms of religious and cinematic meanings to be constructed.
In this sense, neither the songs nor the miscellanies that preserve them represent the last word in the history of their texts.
One of his songs, ' yvette', begins with a loop of someone - him?
Think about the fact that we would each hear these songs in different ways.
As such, the hook is the song's locus of intentionality and control.
They can't do this by writing better songs, because this isn't about good songs.
A significant number of his songs make this promise of deliverance linguistically explicit.
Firstly, they insisted that they could like music without relating to it or identifying with it, and that songs couldn't teach them anything.
Many domestic songs entered the international repertoire and in a few cases became classics.
The songs on the album are for the most part innocuous, devoted to romance and partying, with little social commentary.
As shown earlier, several songs from the 1980s create a strong hook by setting the title lyric with one of the accent patterns.
In other cases the change is more subtle, created simply by the fact that the text delivers the song's title.
Compared to romantic love songs, these are usually direct descriptions of events without too many metaphors or double meanings.
In this group of songs, the hook is not unequivocally one particular passage.
The songs also describe the man's physical violence towards her.
Hundreds of blues songs treat the railroad thematically.
As discussed earlier, the verse melodies of these three songs are all pentatonic.
We also note an increasing emphasis on songs from operettas, musical comedies and revues.
All of these songs deploy a verse-chorus scheme in which the verses are in minor, and the euphoric choruses emphasise major sonorities.
I further hear this textual message of asserted difference and resilience echoed musically in the song's unconventional use of mode.
Thus, in the song's opening gestures, sound ruptures spacious silence and silence engulfs assertive sound; neither sound nor silence gains a firm perceptual foothold.
Imitations of immediately prior adult utterances, the child's own selfrepetitions, and routine utterances like songs and poems were identified and removed from the analysis set.
The importance of songs as the pedagogical medium is related to the somatic element that songs are said to possess.
Therefore, the songs can be naturally mapped onto a symbolic representation with dynamics that evolve both in space and time.
I was initially puzzled to discover that songs to highland swidden deities had been incorporated into a regular lowland domestic rite.
What is crucial about songs is the rhythmic and segmental characteristics of the vocal message, and this may make it primordial over early linguistic interaction.
Rather, they actively participate in the synchronous timing of movements, thereby anticipating the song's segmental units.
As children leaf through the book, which is full of pictures and colours, the images encourage them to speak about their favourite songs.
Most students did not know about other countries' musical instruments and were not taught to sing other cultures' songs in their original languages.
After these preliminaries, the focus during the ®rst year was on playing songs acquired during the general music activities.
Knowledge about this aspect has a considerable effect on the musical experience aroused by these songs.
Most of the new texts were based on existing melodies, and pr isoners often drew on songs with particular political associations.
The vast major ity of songs, however, told more complicated stor ies.
The war and patriotic songs were taught to encourage vitality and courage.
Most classes taught the letter - sound relationships using songs such as the alphabet jive.
In the early days these songs were from.
The religious songs follow the secular ones so that the earthly can be neutralised by the spiritual.
To return to the ambiguities of form: a song's form is something that can be apprehended in a number of ways.
The revaluation of songs did not result in a lasting elevated literary status of the genre.
Like many songs of this popular genre, its text treats the clavichord as a confidant for the poet's sorrows.
Of the nearly three hundred songs he produced, virtually all were published during his lifetime to warm critical acclaim.
Separated from the context of the drama, his songs became known not as opera songs but as folksongs.
Their songs are conceived and sung in a natural landscape; moreover, this natural landscape participates by echoing back their music.
The many ' songs of freedom ' set down here greatly enliven the text.
Excluded were incomplete or unclear utterances, imitations, self-repetitions, and routines (songs, counting sequences).
Mostly the songs are slow, still, ecstatically contemplative, extended in their development.
The stylistic and expressive range of these songs is appreciable.
The songs seem at once both entirely familiar and utterly strange.
All of the songs are sung very quietly with little overt expression.
The physicians, in particular, sang songs parodying certain forms of medical practice.
We had to ask ourselves why students with a high awareness of gender issues turn a deaf ear to the offensive words of songs.
After this contemplation, the next stage in the project was to search for new and exciting songs sung from a female viewpoint.
On average, there is one session recorded each day which is likely to result in four broadcast items or songs.
A non-artist songwriter will need a music publisher who can promote his or her writers, songs aggressively, trying to place them with major recording stars.
As singing becomes more accomplished, the bird drops many of these songs and begins to settle on its eventual repertoire.
From time to time, however, songs and chants of a completely novel kind are heard.
Typically, the most convincing results with improvisation were achieved in relation to familiar songs.
One important function of songs was accordingly to spread political and religious ideas.
Nursery activities included free play and some structured activities, including storytelling, singing songs, manipulative activities, and gross motor activities.
Initially, all the children occupied themselves with the monophonic rendition of songs.
The main reason for this was that the lessons were organised around songs.
In the last quarter of the year, the children practised transforming familiar songs from major to minor.
All the pupils who enter each of the participating secondary schools already know an agreed core of four songs composed by local secondary teachers.
Singing songs and listening, for example at craft time, is also used extensively throughout the day.
These examples are from corpora and from sources on the web. Any opinions in the examples do not represent the opinion of the Cambridge Dictionary editors or of Cambridge University Press or its licensors.
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