| 词汇 | example_english_popular-music |
| 释义 | Examples of popular musicThese examples are from corpora and from sources on the web. Any opinions in the examples do not represent the opinion of the Cambridge Dictionary editors or of Cambridge University Press or its licensors. Most significantly, however, they raise key questions concerning the central role of rhythm in popularmusic and the contradictory ways in which it is discussed. Through their activities, bootleg collectors and tape traders explicitly contest the commodification of popularmusic. The musician participants were all further education students from two colleges, all of whom were studying popularmusic and music technology. When not touring he worked in bars and nightclubs, playing jazz and popularmusic. Since popularmusic remains advantageous in defining and delivering consumer audiences, its existence has, in response, become increasingly tied to the sale of other commodities. In this way the social organisation that governs popularmusic, for example, requires constant novelty in order to maintain its commercial base. Even work on popularmusic and video, which once grabbed the imagination of popularmusic and media scholars, has faded from the academic agenda. This case study is framed within existing debates about the relationships between popularmusic, national identity, cultural representation, and state-supported music export. Let me say a couple of things about your criticisms of popularmusic academics. This seems out of step with the growing emphasis on an interdisciplinary approach within popularmusic studies. Indeed, in an area of popularmusic studies overburdened with authorial interpretations, it is entirely refreshing to hear the accounts of young people themselves. We decided to choose popularmusic for the category of conventional music. As an integrated statement of where popularmusic studies is in relation to wider contexts, the book is perhaps less successful. Although there were many women in rock by the late 1960s, most performed only as singers, a traditionally feminine position in popularmusic. The questions raised by medieval music reception reach to musicological fields outside medieval studies, but especially ethnomusicology and popularmusic studies. Much more remains to be done in the interaction between popularmusic and medieval music studies. For popularmusic fans this is another aspect of the changing equation in the relationship. Record collecting is a major activity, yet a relatively neglected aspect of the consumption of popularmusic. However, different popularmusic cultures ascribe subcultural capital in different ways. Two things, however, make the era important in terms of popularmusic policy and export. I seek to determine what the intermediary movement between cultural policy and popularmusic has been like. Popularmusic policy advocates can look to existing models of public administration as well as critical development theories to enhance the opportunities for interventionary initiatives. Whether a 'social', 'stylistic' or 'biographical history' of popularmusic, they all seem to agree on certain central phases. There is an unavoidable and often unbearable density and diversity of musical practices that are routinely subsumed under the label 'popularmusic'. The processes of making meaning from popularmusic aren't ever really complete. The recorded repertoire was now changing, and the proportion of popularmusic increased considerably after 1908. The problem is that such accounts do little to aid an understanding of the popularmusic industries in the contemporary era. The coming of the rock critic did, however, serve to further legitimise popularmusic as an area of intellectual enquiry. Rather, popularmusic activities have been an add-on to existing workloads. By 1998, all the teachers in the sample declared that they included popularmusic. On the whole, popularmusic concerts were the most common type. No world music and no popularmusic are included. This seems unlikely when one considers the role that the popularmusic industry plays in contemporary youth culture. Both genres have been popular in the past, but have been gradually replaced by popularmusic. They strongly pointed out that their primary preference is popularmusic and placed western classical music at a lower level. The students demanded a music education that affirms their own musical values and their strong preference for popularmusic. What is more, the musics analysed seem to exist in a world without popularmusic. What is more, the historiography of popularmusic, especially in connection with mainstream genres, is clearly dominated by non-academic interests, as it were. This definition echoes both the philosophical approaches, and appears to work well in the context of popularmusic. For years, the export of popularmusic was in the hands of adventurous performers and record companies, rather than under the guidance of state-supported offices. Critics will argue that the use of technology in popularmusic takes the most obvious technological routes merely to gratify a teenage appetite. The author sets out to challenge the view that popularmusic constitutes a cultural text that has a meaning independent of its audience. I ask this of all types of concerts, by the way, but - hey - this is a popularmusic journal. In short, music teachers regarded boys as more able and creative composers and popularmusic performers than girls. Previous researchers have dealt almost exclusively with improvisation in classical music, whereas this research is predominantly concerned with the folk-derived popularmusic of bhangra. Yet despite its particularities, there are many generic commonalities between muzak and other forms of popularmusic. It is indeed important to note that students' preferences and musical cultures are neglected; popularmusic is not included in the music curriculum content. Ultimately, the mark of instrumentalism's contribution to popularmusic policy making will be the realisation of governmentality as it negotiates both art and rationality. The objet petit a and its associated register of jouissance could be seen as historically mobilizing forces common to both popularmusic and high modernism. The book contains sixteen articles, all of which address the texts of popularmusic in some respect, and a newly written preface by the editor. Rather, what is being described here is a backpacking culture, replete with its own language, sartorial norms, popularmusic, and modes of socialization. Will the rise of multimedia performance (including live video mixes by vj's) in popularmusic veins have a positive effect on such output? These strategies are deployed on a field - a prescribed cultural space of popularmusic institutions and practices. The text consists of discussion of a number of genres (or periods) of popularmusic discussed in a wider cultural context. Thirdly, this paper discusses the impact of the global entertainment business on local popularmusic. This could be considered a development of the expectations of popularmusic, it could also be considered a substitution of the expectations of classical music. From the world of popularmusic, we predominantly encounter meaning of being true to oneself, irrespective of models or traditions. In 1982, one reason for including popularmusic was to enable pupils to develop discriminatory powers or critical attitudes towards it. However, in the decision-makings of cultural policy, different styles and genres of popularmusic were still grouped together. It is very possible that students attending a popularmusic class will have never heard this expression before now. More generally speaking, attempts at the national level to foster popularmusic were the consequence of the changing economic situation and global competition. Within that locus it is clear that popularmusic is taught in a variety of contexts and in a number of ways. There are two key concepts we can use to help us do this: the medium and materials of popularmusic. These comments serve to generally downplay the importance of popularmusic in terms of identity. Although these types of reviews are rare, they reveal the potential of reconstructing a language from which to discuss popularmusic. I have always liked the rigorous confusion around ' popularmusic' as one category of music amongst others, existing only in relation to other categories. Hewing the market economy path, the government music industry began to aggressively promote sales of this commercially viable popularmusic. Although they belong to music at the local level, these genres are losing popularity with the emergence of popularmusic. Popularmusic provides an effective vehicle for both levels of identification, local and global. Similarly, girls' lack of participation in lower brass and percussion and in popularmusic is evident in schools and professional environments. We might consider the case of popularmusic. The next most frequent response was that the course should include more modern popularmusic. In 1998 no-one said that popularmusic should be included because it is a major part of culture or society. One major new factor was to encourage a strong practical engagement with popularmusic, involving composition, improvisation and classroom performance as integrated activities. This is not to say that classes were prescriptive: students of popularmusic are especially critical of any enforced doctrine. After that time, their interest in popularmusic may increase, while their preference for 'non-popular' or 'classical' music decreases. Economic globalisation always has cultural effects on the localisation of popularmusic. This, and the way that fans uphold the notion of local sounds and scenes, indicates the growth of popularmusic as a presentation of image. This leads to an emphasis on the audience for popularmusic. Apparently, his idea of the study of popularmusic was that of journalistic commentary. One approach to the analysis of the development of factory music could be to link popularmusic and its broadcasting with social progress. The nature of the relationship between popularmusic and its traditional visual conventions is ambiguous. How can a genuinely popularmusic stave off the machinations of the culture industry? Nevertheless, he did not succeed in describing how pupils adopted various techniques for distinguishing several kinds of 'popularmusic' in the classroom. As music television programmes, though, they remain unique (there is no programme on popularmusic with the same resonance). A certain rebel chic has been attached to the use of noise in popularmusic. On the face of it, popularmusic studies as they relate to music affect and form would seem to be a point of departure. However, most academic studies of the popularmusic industries have continued to privilege the recording industry as being the music industry. Attempts at the national level to foster local popularmusic production are primarily interventions at the level of the production and dissemination of recordings. A more nuanced examination reveals a successful industry poised to take advantage of a new era in popularmusic. These examples are from corpora and from sources on the web. Any opinions in the examples do not represent the opinion of the Cambridge Dictionary editors or of Cambridge University Press or its licensors. |
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