| 词汇 | example_english_lyric |
| 释义 | Examples of lyricThese examples are from corpora and from sources on the web. Any opinions in the examples do not represent the opinion of the Cambridge Dictionary editors or of Cambridge University Press or its licensors. From the journalist's position, any sign that you have put some thought into your music, your look or your lyrics, is welcome. Furthermore, although artists or song titles may have been forgotten, the lyrics were more often remembered, and many were able to sing along. I was in awe of the temper of the sound and the lyrics. Since the song and its lyrics have not yet been heard by the film's audience, any irony is lost. A traditional song, for example, will be more appropriately recorded on tape, than as a page of written lyrics. However, she draws her analysis directly from the video's images and lyrics, paying no attention to the interpretations of the performers or their audiences. During the mid-1880s the journal carried a number of lyrics that took issue with its reviews of recent art. I would suggest that this is achieved even more powerfully by the silence that results from the conspicuous textual absence of the two lyrics. However, both artists rarely approach their sexuality directly and unambiguously in their lyrics. However, the initial lyrics build from empathy to an assertion that the rapper is deeply wounded and vulnerable in a manner belying his tough image. The lyrics were the product of some considerable work. Moving to the fade-out, the verse and one stanza chorus are repeated, and then the lines of the extended bridge are used with new lyrics. The most usual musical style is fast three-chord punk with political lyrics. However, the lyrics were reputedly altered a great deal when the band performed the song at a private party or in someone's house. The domination of focused lyrics within a particular musical tradition can only imply that lyrics play a different role within that tradition. Numerous original ideas are introduced briefly (such as phonetic patterns in girls' lyrics), only to be left behind all too soon. Examination of song lyrics is extremely illuminating of the differences in the images of jazz and ragtime. Each song draws the listener into an image of femininity while threatening assumptions hinted at in the lyrics. The incoherence of the lyrics is made irrelevant by the coherence of melody, rhythm and accompaniment, and by the power of performance. There are no lyrics; rather the singer uses neo-syllables2 to complement lyrical sounds on the saxophone. I will examine the resonances between their lyrics and musical techniques below. Fans were 'presumably' quick to identify because the lyrics expressed a self-evident male chauvinism. The lyrics are mildly plaintive love poems and the music does not so much excite passion as entertain soothingly. Rock singers are actors, after all - they portray the persona represented as speaking through the song lyrics and different personae through different songs. The sentiment, the meaning, the lyrics, the rhythm, just happened. The lyrics of the song are interpreted with respect to the events of that flood. You think up some lyrics and try to match them to a melody - probably a melody you already know. The lyrics of her song are, in fact, a very accurate description of the experiences of the refugees who suffered the most from the flood. My student teachers invented and adapted, culturally appropriate and socially relevant song lyrics, rhythmic chants and accompanying actions to create musical games. Usage is illustrated by means of texts, advertisements, cartoons, proverbs, lyrics, and interviews. Ideally, castrati received intensive conservatory training involving not just every gradation of voice and expression, but also complete familiarity with scores and lyrics. Words (and lyrics) became central in the popular musical culture in so far as the songs of cantautori aspired to literary dignity. The singers enhance their lyrics with provocative strutting, eye-catching and sometimes outrageous, self-designed costumes. Weheliye focusses more on the means to produce sound, rather than on an analysis of sound in terms of music or lyrics. As a singer, the inflection he gives to the tune and the lyrics is interpreted as arousing his audience to action. An inversion of the passive-active dichotomy is found in the lyrics of the newer form, bol ban-v thumr-. The lyrics, in seven- and ten-syllable couplets, are simply 'recited' (yin). Friends, teenage idols and the lyrics of the songs are especially important at this age. The results show that in the creative process, which is collective in character, the lyrics are superior to the music. In addition, the lyrics allow students to understand the content and meaning of songs. Details of song lyrics and stories are very welcome; one would have wanted more of this kind of detail carefully historicized. However, the conflict between realistic and romantic codes also resulted in a few extremely ambiguous or contradictory lyrics. Fields' lyrics are all but anti-romantic: what both sides demand is more commitment. Of course, the music and lyrics were always of great importance as well. The lyrics are clearly devoid of the harshest, most acrimonious utterances; the song seems at times more a plea than an indictment. Luckily, most of the damage in the recordings seems to have affected the refrain rather than the lyrics. He hears the song, in other words, in an integrated domain of musical form, vocalism and lyrics, as a double-voiced discourse. In addition, she analyses music and lyrics of salient songs. Another interesting element of both industrial lyrics and cyberpunk is the tendency to create neologisms. In some instances lyrics are printed in the script, but other stage directions are more vague. Guitar-based rock, requiring more narrative lyrics, live singing, and instrumental work would have been made more difficult. The thematic coherence of lyrics becomes more important, as does figurative language, metaphor and stylistic surprise. The lyrics suggest a fascination on the part of the singer with a woman that he desires. He finished the rest of the song on his back, writhing, squirming and shouting out the lyrics. The song's recording date (1935) is misleading because there is evidence that the lyrics were composed in the immediate aftermath of the event. Three different sets of voices sing the lyrics above: a deep male voice, a female-male duo, and a robot voice, which raps out the lyrics. The consumerist affirming of misogynist lyrics in rap are an example - albeit the music industry represents a different discipline. The familiarity of the melody made it easier for the audience to remember the lyrics. Furthermore, the way in which lyrics are sung - sarcastically, plaintively, etc. - may belie the words on the page. Another gimmick used in these publications was to change the lyrics of popular songs and publish poems as advertising tools. All that is necessary is that the singer's voice be heard as belonging to the gender other than the one implied by the lyrics. I should like to explain with the help of lyrics. Although the groups used the same ready-made music backgrounds, the lyrics became varied and very personal. The lyrics were selected from the content of textbooks. One issue which is notable for its absence is the power of lyrics and actions in musical games. One can assume, therefore, that the actual meaning of the lyrics is considered irrelevant by both the advertisement's creators and the targeted viewing audience. Even without the lyric's clues, much can be drawn from the notation and the resulting musical fabric alone. During a competition, the mostly male competitors (often in small groups) deliver original lyrics to pre-recorded backing tracks. The main reason is the lyrics take good care to front not the experience of loss, but the dream. No words of grandeur found in a dictionary do sufficient justice to the sublime object that the lyrics try to represent. In punk, virtuosic display was replaced by aggressive simplicity and macho posturing, which could be found in both music and lyrics. The extensive documentation of historical contexts, events and personalities that inspired calypsonians' lyrics during this historical period is a monumental achievement. Any element of hip-hop is rarely given such a close analysis; lyrics are often cited for their content rather than their poetics and literary devices. Musical analysis is, however, important because music's emotional powers work on several layers, not only on the layer of the lyrics. There should be poetry in the music as well as in the lyrics, the cadences, the composition, the orchestration, the intensity of the interpretation. The lyrics emphasise love of the pursuit of freedom. The hallucinatory lyrics and helium-infused vocal warbling are matched by the far-out chord progressions, which experiment with tritone and third relations. The same character recites some of the song's lyrics in class as a poem he is supposed to have written, and impresses his teacher. Another question is that the lyrics are not always of the necessary quality, but in any case any attempt in this area may be welcomed. Secondly, how does one measure the value of music, lyrics and performance to songwriters and their audiences? The song's groove carries at least as much weight as do its lyrics and melodic material. Perhaps it helps that some of the lyrics he's trying to hear are almost unintelligible on the audience-produced recordings that he's been listening to. The whole issue of lyrics isn't even touched on here. In three others, the nudity is irrelevant to the choreography or lyrics. Ask students to listen for the rhythm, lyrics and intonation of the singing. He took delight in interpreting popular song lyrics as well. Aided by transcriptions of the lyrics and the melody from one representative stanza in each song, he derives a grammar of early downhome blues melody. Though without a systematic approach, he also talks about the lyrical content and the patterns of accompaniment, based on the lyrics and melodies he remembers. Though it usually served lighter ends, the ensuing hybrid language is another feature that golden-age lyrics share with much contemporary literature. Each of these title lyrics uses the metric dissonance of this pattern to add to the power of their hard-rock style. Firstly, an idea in a song cannot be restricted to its lyrics because the accompanying music should also be taken into account. The love lyrics that comprise the core of the girl group repertory capitalise on adolescent experience; the musical settings exploit an adolescent conversational style. The reverberant instrumental sounds of the recitative first indicate the fact of space, then the lyrics explicitly describe the scene. They combine carefully crafted music, full of thoughtful, imaginative touches, with subtle, psychologically astute lyrics. Evidence for this thesis will be drawn from three meaningful dimensions in popular music: song lyrics, pictorial self-representations, and image components. The bass timbre and articulation also operate in much the same way as the guitars in terms of reflecting the expressive content of the lyrics. Most house and techno tracks have no lyrics. The lyrics to songs became less and less the love songs or novelty songs of the earlier era. My analysis below allows the figurative aspects of independent intra-textual levels of meaning (lyrics, visuals, and music) to interact performatively with one another. As opposed to most of their predecessors, the chansonniers wrote their own music and lyrics, with an emphasis on the message conveyed by their songs. These examples are from corpora and from sources on the web. Any opinions in the examples do not represent the opinion of the Cambridge Dictionary editors or of Cambridge University Press or its licensors. |
反思网英语在线翻译词典收录了377474条英语词汇在线翻译词条，基本涵盖了全部常用英语词汇的中英文双语翻译及用法，是英语学习的有利工具。