| 词汇 | example_english_listener |
| 释义 | Examples of listenerThese examples are from corpora and from sources on the web. Any opinions in the examples do not represent the opinion of the Cambridge Dictionary editors or of Cambridge University Press or its licensors. Alerting listeners or performers to this can provoke defensive reactions. We describe listeners as caring, understanding, trusting and sympathetic individuals. Methodological issues in training listeners to perceive nonnative phonemes. In particular the quota of long-time listeners who spent more than four hours every day listening to the radio diminished. In the choice of accent placement, speakers encode significant information for listeners. Such variables may represent characteristics of listeners' backgrounds, personality traits, habits or 'mental sets'. The question regarding the 'strict musicality' of listeners' experiences deserves more attention. The heterogeneous results regarding preferences may partly re-ect researchers' tendency to look for differences between subcategories of listeners as much as for general trends. The need to move our listeners is stronger than ever. Moreover, it illustrates the power of listeners to co-construct narratives in both positive and negative ways. Furthermore, talker normalization is contingent on listeners' expectations regarding the interpretation of acoustic patterns - which should not happen for an automatic direct-mapping process. As speakers and listeners use particular lexical, semantic, and syntactic representations, some of these representations become bound into routines. Sentence processing in the framework of this model refers to how listeners map surface forms onto the underlying meanings or functions of sentences. They found that, overall, listeners of these languages paid less attention to stress than to intrasentential cues in deciding agent - patient relations. Tone pairs were dichotically presented and listeners identified which tone they heard in each ear. A maximum of two listeners at a time were seated in a small experimental room. Recordings were verified by two independent adult listeners to ensure accurate and interpretable renditions. Therefore, as the children had greater competence in understanding the listeners' point of view, their locative descriptions were more complex. A different picture emerged by testing children as non-addressed listeners. As non-addressed listeners, their restricted understanding does not allow them to know to whom a pronoun refers. The 99 listeners who participated in the present study were assigned to one of four groups, based on their residential history. He found that performance was better when the talkers and listeners shared a dialect than when the talkers and listeners were from different dialect regions. No feedback was provided to the listeners about the accuracy of their responses. Selected cognitive factors and speech recognition performance among young and elderly listeners. What are stores selling and what are listeners buying when they purchase such compilations? The intention is to indicate the listener's sense of timbral perspective within the soundscape. Regardless of how listeners choose to experience it, dissociation can imbue the music with a psychedelic aesthetic. They need listeners who know how to listen, to understand, and appreciate their efforts to persuade. Here he depicts a congregation in high passion, from the wide-mouthed preacher to the disorderly listeners, weeping, eating, fainting, and otherwise carrying on. Obviously it is of great importance, but what is the actual effect of bad tuning, apart from the pain which it causes to sensitive listeners? I shall adumbrate below some of the listener's problems in identifying the pitch-class or interval sequence that forms the row. By presenting concerts in a less prescribed atmosphere than the time-honoured concert hall, we can expose listeners to new experiences in a more comfortable setting. Table 5 shows the stimulus-response confusion matrix collapsed across all 99 listeners. Just as speakers are analogous to producers and sellers, listeners and viewers are analogous to buyers and consumers. Classical rhetoric dedicates the preface or exordium to the task of captatio benevolentiae - winning the reader's/listener's good will. The second phase was identical to the first, except that the listeners heard all of the talkers reading the second calibration sentence. In the third phase, the listeners heard each of the talkers reading a different, novel sentence. In rating the stimuli, listeners were therefore also attuned to the context in which these recordings were heard. The evocative power of the song path depends on how the place narrative emotionally resonates with personal, biographical and historical selfconsciousness for listeners. Experiment 2 addresses directly whether listeners can use the presence or absence of palatalization to recognize a suffix morpheme, the subject particle /-i/. As in any piece of music, this motion is a metaphor for the motion of the listener's body. We must be careful to add all information sources, publications and interviews with the composer, other performers, musicologists, listeners and others. The first attack surprises most listeners, and it is reiterated three times. Vowel-length contrasts are neutralised in this context because it is hard for listeners to determine the duration of vowels there. The difference, however, can be also attributed to the listeners' overall lower confidence in identifying less informative stimuli in the 'edited ' condition. Overall, the listeners spent less time identifying consonants in truncated stimuli than in full stimuli, most likely because the former were shorter than the latter. The stimuli were played to the listeners through headphones as they sat alone in a quiet room. In other forms of current radio drama, the listeners' imaginations have less work to do. In this analysis, the males and females from the "mixed" group of listeners were treated as one group. How do listeners learn to detect these markers? The mean for "mixed" female listeners fell between those of the other two groups, but was not significantly different from either of them. Each token pair was repeated twice for listeners. The listeners ranged in age from 17 to 22, with a mean age of 19.0 years. Therefore, for the first sentence, the two groups of listeners reveal perceptual similarity spaces that differ in structure. He asks listeners: is he a "leader" or a "destroyer"? Because listeners pay heightened attention to per formed ideological positions, framing plays a critical role in shaping the norms for interpreting social truths. In this scenario, because listeners are presented with the speech of entirely different individuals, there are potentially hundreds of linguistic differences among the samples. More in-depth studies that probe the listener's decision-making processes, while engaged in different listening tasks, are important for the advancement of listening theory. However, unlike women's 'gossip', the speaker's, target's and listeners' faces are never directly threatened when men tell stories. Indeed, their performance indicates that the speaker's and listeners' social relationships are solid and healthy. The stronger the connotation of a sonic event is, the more it causes a magnetic effect attracting the listener's attention. The virtual source may also be perceived inside the listener's head. A state of suspension ensues, moment by moment, in the flow of time as experienced by the listeners. When the sound signals arrive within one millisecond of each other at the listener's ears, summing localisation occurs. She challenges us as listeners to re-establish our place within the world around us. The capacity to allude to a spatial resonance also becomes more apparent due to the listener's complete immersion in the sound field. In music, the act of revisiting existing technology brings about new relationships between composers, performers and listeners as well as between notation and sonic material. A key element of the spectator-listener's experience is the way in which the work uses space, irrespective of medium, genre, or means of production. On stage, the narrator and his or her listeners perceive the sung narrative as a fiction irrelevant to the unfolding of the drama. The operatic voice, he maintains, has always acted to open invisible, supersensible realms to the perceptions of its listeners. Simple stereo listening is concerned with prospective space, whose panoramic dimension will be broader or narrower depending on the site of the listener's egocentric space. The validity of these ideas nevertheless requires a strong element of consent from listeners as to their applicability in given situations. The release of expectation that is elicited by the listener's inability to anticipate outcomes captures a very different sense of non-motion from the early modernists. The inexperienced supplemental user group comprised thirty-nine listeners who listened to one of the three test works. The use of two different speaker systems makes it easy for the listeners to differentiate between the different sound sources thus achieving two sonic planes. Finally, the differences can also be caused by the fact that the groups of listeners differ in some respect. A large majority of the listeners (83%) had one or two parents who also spoke the dialect. The advantage of recall protocols is their capacity to assess what listeners are able to retain without any question prompts. Evaluating listeners with normal and impaired hearing on clinical tests of spatial localization and speech intelligibility gain. The performance of our monolingual listeners in reverberation ranged from 45 to 67% correct. Another attribute of auditory word priming lies in its relative insensitivity to the type of processing in which listeners engage during their exposure to words. During lexical contact, listeners synthesize several form-based representations from the sensory input and then match them to lexical items stored in long-term memory. The listeners (four males, five females) had a mean age of 31 years. The essential conclusions are that there seems to be a form of geographical egocentricity that make listeners locate others according to their own geographical belonging. What is the impact of gender politics on its listeners? How could a genuinely avant-garde music 'reach down' to commodified listeners? Such identification both requires a listener's belief in the music's authenticity and helps to construct one. The two programmes represented opposing ways for listeners to engage with broadcast dance music. Attunement, in effect, overthrows the duality between composer, performer and listeners, a perspective that computer and electroacoustic music technologies can reinforce by facilitating access. At the end of the motet, a place where listeners would certainly have expected refrains to appear, they are treated to three of them. What chance, he therefore wondered, would other (modern) listeners have? Often, listeners move back and forth between positions that are close to the two articulated here. Playing the listener's role is difficult for children because it is necessary to be conscious of the social aspects of conversation. Greek lyric meter is then a carefully orchestrated way of toying with the expectations of metrically sophisticated listeners. Specifically, listeners are said to hypothesize that a new word begins at a syllable boundary. He found that listeners can recognize a word more easily if phonotactic constraints indicate that syllable boundaries coincide with the boundaries of the word. The word-spotting task investigates the segmentation of words from connected speech, but it does not assess listeners' recognition of morphemes within words. In the aural mode, this is not possible because listeners are required to perceive and decode input simultaneously. Then the average ratings of the five listeners were averaged to obtain a robust estimate of each speaker's accent. The 16 blocks of speakers were sequenced in different random orders for each of the 10 untrained listeners. These examples are from corpora and from sources on the web. Any opinions in the examples do not represent the opinion of the Cambridge Dictionary editors or of Cambridge University Press or its licensors. |
反思网英语在线翻译词典收录了377474条英语词汇在线翻译词条，基本涵盖了全部常用英语词汇的中英文双语翻译及用法，是英语学习的有利工具。