Examples of jazz

This example is from Wikipedia and may be reused under a CC BY-SA license.
Others take a backwards view of its origins in both the jazz music festivals and the emergence of a counter-culture throughout the 1950s and 1960s.
Whiteoak discusses at least two generations of musicians who moved from jazz to composition and avant-garde concert performance.
He also hopes that the text will inspire more historical research into the lifestyle of famous jazz musicians.
The reaction to this generational curation of jazz was surely a motivating factor in the later move towards experimental genres among younger artists.
I am aware of the dangers in referring to the 'work concept', 'jazz' and 'digitized music' as though uniform categories.
Among those attending other world music concerts, jazz was the most welcomed type in all three communities.
Preferring jazz to mass songs and speak-easies to 'red corners', brigade members gained notoriety as 'hooligans'.
Jazz was forged in a burning furnace of mixed cultures.
Cody, in the transcript, becomes a jazz performer in the tradition of improvisation.
One index of this is how parasitic a lot of the poetry is on its more successful cousin, jazz.
The second year extends students' shared socio-cultural knowledge through learning the standard jazz repertoire and performing together in impromptu and fluid bands.
Although from many perspectives, jazz and blues represent quite distinct pathways in the history of popular music, 19 teachers mentioned jazz together with blues.
Only 4 teachers made such links between jazz and popular music.
Indeed, there was far more emphasis on improvisation with reference to jazz than to any other style.
In level two of the newly validated jazz course, students will have a choice of project modules drawing on staff specialisms.
Thus, a sound education was precisely that: one underpinned with solid moral and aesthetic foundations that were robust enough to withstand the seductions of jazz.
The educational worth of jazz improvisation cannot be exaggerated, par ticularly in the development of aural skills.
One of the hallmarks of jazz is its cooperative approach to artistic behaviour.
One salient characteristic of jazz is that it is a recorded medium.
The opening 'brief chronology' gives a ' ' year-by-year resume of the main developments in jazz from 1890 onwards.
Links between jazz and its relationship with literature and the other arts are pursued.
The book is rather like a jazz performance where individuals take solos based around common underlying ideas.
What he probably did was sit around and listen to jazz.
You cannot play jazz music as a pianoforte solo: if you perform syncopated dance music on the pianoforte it is ragtime, not jazz.
Initially, none of the material that the group performed was specifically designated as jazz.
He would surely view the ubiquitous ' smooth jazz' that has evolved from fusion with an even more jaundiced eye.
If you have a fascination with the idiosyncrasies of medical ailments of the jazz greats then this book is definitely for you.
In the 1950s many blues/jazz performances were in concert halls or to seated audiences - as opposed to the dance bands and dance halls.
The theatrical analogy can be taken further into the field of jazz.
During the war, some enthusiasts began to distinguish between jazz and swing.
Furthermore, a collection of jazz records made them feel modern and wealthy.
Students wishing to embark on jazz research are thus likely to be assigned supervisors who are virtually unaware of popular music scholarship.
The upside: it is inspiriting to read a study of jazz which has such historical sweep.
A musical version of this homosocial situation occurs within the traditionally male-dominated jazz community that also has been largely homophobic.
Jazz musicians aspire to transcend their knowledge base in order to produce spontaneously created material rather than mere improvised fillers.
The project has also worked to increase communication and the cross-fertilization of ideas between jazz and other music within the conservatoire.
We sought to establish whether individual assessments could provide a fair and effective measure of jazz musicians' achievement.
Six of these were for jazz vocals (1st and 3rd years), and three were jazz kit (1st and 2nd years).
In effect, jazz became the paradigmatic object of the avant-garde slummer, the new signifier for bohemian life.
The journal includes all kinds of popular music, whether rap or rai, jazz or rock, from any historical era and any geographical location.
As we have seen, his music reconciles a deep attachment to the classical repertoire of his instrumental and compositional training with a love of jazz.
I listen to a lot of jazz, in the last maybe ten years, that's a recreational interest.
Many jazz writers, however, cite it relative to the 1890s, a period it does not touch at all.
A secondary aim is to widen the public's musical horizons by presenting types of music that have influenced jazz.
The primitivists do sometimes praise white jazz musicians, but almost invariably with qualifications.
Meanwhile, he added ten of his actors who are skilful musicians to double as jazz players and servants.
Think of the intricate series of subtle negotiations required to perform as part of a string quartet or jazz group.
On the basis of the analysis presented here, a different interpretation of the transformation effected by modal jazz may be suggested.
By billing themselves as the 'creators of jazz' and stressing that the band was the 'real original', the band established an image of authenticity.
The first popular musicians to attract the attention of cultural policy represented modern iskelmä ('schlager' or 'entertainment music'), jazz, and, somewhat later, art rock.
Indeed, jazz scholars in particular should take note of the book's ability to fill in 'gaps' in the standard jazz narrative.
Certainly jazz and blues would not have become what they did, and never so rapidly, if not for records and radio.
The next section of the book describes the impact of the microphone on jazz performance in the 1930s.
Firstly, the central musical skill involved in great jazz performance is improvisation.
Moreover, the casual reader with an interest in biographical details of jazz musicians will find many of the vignettes fascinating.
Often under-rated in later years, he was one of jazz's most important band leaders and has yet to be given full recognition for his achievements.
From
Wikipedia