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词汇 example_english_glyph
释义

Examples of glyph


These examples are from corpora and from sources on the web. Any opinions in the examples do not represent the opinion of the Cambridge Dictionary editors or of Cambridge University Press or its licensors.
Although an attractive possibility, given the glyph's clear use as a title of palace functionaries, there is little epigraphic suppor t for this reading.
On page 78, the authors question whether the glyphs and figural scene had been re-carved or simply broken.
Several more glyphic compounds with or without k'uhul and ajaw await further evidence before they can be verified as emblem glyphs.
Furthermore, the mostly fruitless attempts to identify emblem glyphs have been made more difficult by fewer and less well-understood hieroglyphic texts.
Tertiary glyphs can be also broken into several groupings, as discussed later.
The presence of secondary glyphs presupposes the presence of primary glyphs.
Tertiary glyphs are generally associated with lesser elite titles, miniaturized script, and identification of iconography.
Tertiary glyphs are a small and infrequently used category (n 1⁄4 191, or 8.5%).
Further, the arrangement and general placement of the glyphs suggests a hierarchy in spatial arrangement not unlike the hierarchy of figures discussed earlier.
Prior to breakage and re-carving, there probably was a scene carved above the glyphs that more than likely describe this lost tableaux.
Hence, it would appear that the shell was ground or carved away to leave the glyphs raised from the background.
The phrases, however, both conclude with unmarked emblem glyphs; they contain water groups instead of female prefixes.
Illegible tertiary glyphs thus refer to speech, lesser titles, or writing itself.
Generally, these glyphs are used for titles, names, and other text written on the body of the vessel.
The presentation form is a three-dimensional correlation matrix, and the visualization methods used are brushing and glyphs.
Texts are sometimes written exclusively with glyphs that represent syllables rather than using logograms mixed with syllables.
The text begins with a calendar round date at glyphs.
Finally, three titles offer the full structure of emblem glyphs.
In these cases, then, tertiary glyphs are not read but used to suggest a text or textuality.
The total amount of horizontal space occupied by the primary glyphs is nearly double that covered by secondary glyphs (3,020 cm versus 1,600 cm, respectively).
In front of the personage is a ver tical sequence of glyphs.
The few occurrences of such glyphs might mean that they are related more closely to teams than to individuals.
Her personal name is marked, but most of her emblem glyphs and all expressions of her bacab title are unmarked.
Rather, it is designed as a research report on advances in the identification of northwestern emblem glyphs.
Secondary glyphs are large enough to be read and are typically composed to be legible.
In no cases do text segments mix glyphs of different sizes within them.
Two reading and viewing experiences are manifested by the vertical and horizontal glyphs in relationship to the scene or scenes and figures.
Hierarchies are not solely discernible by the use of emblem glyphs but rest on more subtle information.
Located just before each of the cacao glyphs are compounds that until now have remained undeciphered.
The details of the toponymic glyphs and the buildings are clean, and the annotations are relatively clear.
Instead, they are prefixed by the water group variants that are standard for men's emblem glyphs.
Although their contexts elude full structural and semantic understanding, it seems to be clear even at this point that there is no general structural analogy with emblem glyphs.
As will be demonstrated, such readings of glyphs cannot be viewed as "decipherments," which must always rely on a more complete phonetic and morphological understanding of a given term.
Attributive glyphs linked to specific deities.
The geographical contents delimit the region and locate its boundaries by depicting the hydrography and traditional topography (toponymic glyphs and toponyms) of the area of interest.
Secondary glyphs regularly convey a genre of information that pertains directly to the scene, such as explanations of names, titles, conversation, and actions of the figures depicted in the scene.
A more detailed view of one rule and the history of the rule can be accessed easily by moving the mouse cursor over the glyphs in the model.
While emblem glyphs underpin the existence of polities and hint at a kind of royal or state self-representation, interpolity relationships must be inferred from other information within the inscriptions.
Ideally, the emblem glyphs should appear several times in the inscriptions of one site and preferably as titles of different rulers and over a long period of time.
Primary-size glyphs visually occupy prominent horizontal and vertical positions on the vases.
Therefore, the "invariable elements" k'uhul and ajaw, with either both or only the last one present, heuristically still represent the first approach of how to detect emblem glyphs.
A similar measurement process was undertaken for the glyphs in each scene, and a number of other measurements, such as vessel height and diameter, were also recorded.
The painters of the pink glyphs.
The symbols (glyphs) used to represent the system are in principle independent of the system itself.
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Besides the codical glyphs, there existed a cursive script of an often dynamic character, found in wall-paintings and on ceramics.
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Text is drawn by loading the glyphs into the server and rendering as a group.
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The glyphs themselves are highly detailed, and particularly the logograms are deceivingly realistic.
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An input method is a means of entering characters and glyphs that have a corresponding encoding in a character set.
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There are no glyphs assigned specifically to the consonant gw gb.
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Type glyphs (characters) are created and modified using a variety of illustration techniques.
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Above each door opening is a green-veined marble roundel with a molded denticulated outer ring ornamented by a series of glyphs.
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Access to the lowest terrace is achieved via a 5-step monolithic stairway featuring limestone blocks carved with glyphs and scenes.
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On the cornice are bas-reliefs of the glyphs of the 20 days of the sacred tonalpohualli calendar.
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The glyphs are most commonly composed of deep smooth cuts, though superficial hair-line cuts are also found.
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The glyphs themselves are outlines of human, animal, plant, artifact and geometric forms.
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The set of glyphs on the screen is determined by the current font.
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Through hybridization, growers have successfully created flowers with different shapes and colors while retaining the glyphs.
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There are hundreds of tribute glyphs listed in it.
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The main difference between the two variants is the reduction of glyphs used in the simplified version.
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Then instead of a star over some variable glyph, the actual logograph was meant to depict a star in motion-a meteor.
At least one glyph appeared next to the personage's face, but its configuration is unrecognizable.
However, the ha sign often works as hu when it is a prefix, as in huul, or the arrival glyph.
The term primary as used here indicates the largest of the most frequently used glyph blocks.
Up to four distinct widths were used for the glyph blocks.
Gone are the pseudo-glyph motifs and complex layouts painted or incised on serving vessels.
One end is chipped off, but no glyphs are missing.
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Thus, the expressions k'uhul plus "main sign" and ajaw constitute the full form of an emblem glyph.
To complicate matters, we find a four th sign added in several late examples of the glyph.
A glyph is an object, which has attributes such as size, shape, and color.
Also, a font with many types of glyphs may require several such tables.
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Over-simple application of this procedure can produce blurry glyphs.
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Where the handle joins the vessel body, there are embossed glyphs figures.
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Only 80 of the 260 glyphs found on the inscriptions have been translated by epigraphers.
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All in all, it contains a bit more than 2800 glyphs (including ligatures).
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Meiryo also contains glyphs not normally accessible without a font editor.
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All three glyphs can be rotated, like the hands of a clock, to show the fingers pointing at an angle, to the side, or downward.
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Certain glyphs in this range appear visually similar (or identical when presented using particular fonts) even though the underlying encoding is different.
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Despite the erosion of the initial glyph, enough survives to suggest that the figure depicted on this scepter was named specifically as a lord.
All fonts include old style figures and proportional lining figures, while 3 lightest weights also include small caps glyphs.
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Computer fonts use various techniques to display characters or glyphs.
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The monument has five sculpted hieroglyphic panels, although not all of the glyphs are legible.
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A smaller profile figure is depicted facing the first figure, separated from it by one of the series of glyphs.
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Around one thousand sites with over four thousand glyphs have been catalogued, some in bas- or sunken-relief, and some painted red and white.
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Many of the human and animal figures, such as glyphs and, have characteristic protuberances on each side of the head, possibly representing ears or eyes.
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One may distinguish between this positional "system", which is identical throughout the family, and the precise glyphs used to write the numerals, which vary regionally.
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All three types may be augmented with syllabic glyphs.
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Above this column of glyphs is a numerical coefficient that accompanies each of the days.
As a title used exclusively by rulers, the glyphs render the particular "emblem" believed to be the reference name of a political entity.
Furthermore, tertiary glyphs are indexical, signaling the context of the occurrences of text segments.
Tertiary glyphs' dependence on the height of the vessel deserves further exploration.
Secondary glyphs are regularly interspersed within scenes, suggesting that scribes used these glyphs with greater freedom.
The actual occurrence rate is quite low, with only four glyphs in the discussed sample.
A final size represents a rare category of unusually large glyphs.
Above the rule glyphs, the dates are shown for each time period the rules have been searched from.
He believed that the glyphs, ornaments, idols, stelae, and altars were built up of numerical symbols and dedicated to number worship.
Although these claims were pioneering work, they are problematic insofar as their hieroglyphic evidence did not match the established definition of emblem glyphs.
The superglyphs are mostly infrequent, oversize glyphs typically used as labels on highly significant objects.
The diverse placement and limited use of these glyphs appears to be linked to specific scribal preferences.
These examples are from corpora and from sources on the web. Any opinions in the examples do not represent the opinion of the Cambridge Dictionary editors or of Cambridge University Press or its licensors.
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